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“The Tourist” – Dearth in Venice

Director Florian Henckel von Donnersmarck’s “The Tourist,” a big, bountiful cat-and-mouser with hardly hidden aspirations to “Charade” (1963) and “North by Northwest” (1959), is like a fully loaded luxury car. While the overindulgence initially impresses, after a while you long for the engineering and élan of a much more sophisticated ride.